* The Pogues: The Sickbed Of Cuchulainn (4.0 mb) | Sally Maclennane (4.0 mb) | Navigator (5.5 mb)
From Rum, Sodomy & The Lash : WEA Records : 5046759592

Well, apparently on this day we’re all Irish. Living in the windy city, there’s absolutely no escaping this day. Therere a number of parades, the river is dyed green, previously free Irish-like pubs are not charging for entrance and the beer is green. Well, as they say, “When in Ireland, do as the Irish do”, or something to that effect.
So, what better music to play than those favorite sons and daughters of Ireland, The Pogues. I’ve been diggin’ on this band for years, as they magically combine the best of traditional Irish music and English punk in one super great package.
Their music basically a sped-up, amplified and attituted-up take on Irish folk music of the Clancy Brothers/Dubliners sort. Superficialities only go so far. They were never really a folk band in the purest sense. There was always too much Bo Diddley in their backbeat, too much Clash in their attack. Neither were they simply a parody of Irish music, a high-speed punk rock joke band with accordions. They used Irish music as a well to draw from, much as The Stones used Chicago blues; they took its form, its depth of feeling, its melodicism, its romance and longing and every other quality you want to hang on it, and wed it to their own roots in punk and high-powered pub rock, and came up with something uniquely their own. John Lennon once referred to the blues as “a chair,” in respect to its relationship to rock’n'roll music. Irish music was The Pogues’ chair. (Alan K. Crandall)
They released three incredible albums before the lead singer’s (Shane MacGowan) drunkenly erratic behavior became too much. Unfortunately, he was also the heart of the band and after a couple of decent albums, he left the band. The rest of The Pogues tried to soldier on, but to disappointing results.
So, enjoy the music and Beannachtaí na Féile Pádraig oraibh!
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Fear not, we’ll continue the John Zorn documentary next week.